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Åke Jelving Bio/Wiki 2017
Although Greg Ginn’s record label SST was, in early stages, from the angry, overamped guitar rant of SoCal hardcore (a few of which came thanks to Ginn’s personal band Dark Flag), SST was also recording bands that pushed the limits of hardcore. Rings just like the Minutemen, Common Congress Of, and specifically Saccharine Trust gleefully tossed in chunks of ’70s intensifying rock and roll, avant-garde jazz, and cool kicks and pops right into a stew currently percolating with weighty(ish) metallic riffing, shouted vocals, and intense volume. Not absolutely all from the boundary-pushing that Saccharine Trust do was great (actually, some of it really is downright terrible), however when they held their inclination toward grandiose self-indulgence in balance, these were a fairly formidable proposition, specifically live, and documented at least one essential record, 1986’s We Became Snakes. Formed in the first ’80s by Joaquin (aka Jack port) Brewer and guitarist Joe Baiza, Saccharine Trust metamorphosed from a dissonant, loud, anti-rock quartet right into a more advanced, but nonetheless jagged and loud rock-jazz band. Regularly, the band’s “tunes” had been semi- or wholly improvised utilizing a fundamental riff or basic drum design for assistance, rapidy growing into uncharted place. Not the main music group to emerge from LA in the first ’80s, Saccharine Trust is usually interesting for incorporating assorted textural elements right into a genre that was described by quantity and simpleness. This band required risks that lots of of their SoCal brethren could not have imagined taking. This, nevertheless, will not make Saccharine Trust much better than their peers, just different, and a bit more intriguing. By the first ’90s, Brewer began his own music group called, big shock, the Jack port Brewer Music group. Joe Baiza created the good, funky, and exciting Common Congress Of.